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Historische Aneignungen und ästhetische Konstruktionen außereuropäischer Kulturen innerhalb der westlichen Kunst- und Kulturgeschichte sind relativ gut erforscht. Untersuchungen zu den mannigfaltigen Westprojektionen und -reflexionen bis in die Gegenwart stellen jedoch ein Forschungsdesiderat dar. Die Beiträger*innen des Bandes fragen: Unter welchen historischen und geopolitischen Bedingungen formt sich ein okzidentales Kultur- und Kunstbewusstsein aus? Welche Ab- und Ausgrenzungsmechanismen spielen dabei eine Rolle? Im Zentrum der Analyse steht eine kritische Okzidentalismusreflexion und deren Beeinflussung durch die geopolitische Deplatzierung und Zersplitterung des Westens.

Aesthetics. --- Appropriation Strategies. --- Art History. --- Art. --- Cultural History. --- Culture. --- Eurocentrism. --- Exclusion. --- Fine Arts. --- Interculturalism. --- Orientalism. --- Postcolonialism. --- ART / History / General.

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Arts organizations once sought patrons primarily from among the wealthy and well educated, but for many decades now they have revised their goals as they seek to broaden their audiences. Today, museums, orchestras, dance companies, theaters, and community cultural centers try to involve a variety of people in the arts. They strive to attract a more racially and ethnically diverse group of people, those from a broader range of economic backgrounds, new immigrants, families, and youth. The chapters in this book draw on interviews with leaders, staff, volunteers, and audience members from eighty-five nonprofit cultural organizations to explore how they are trying to increase participation and the extent to which they have been successful. The insiders' accounts point to the opportunities and challenges involved in such efforts, from the reinvention of programs and creation of new activities, to the addition of new departments and staff dynamics, to partnerships with new groups. The authors differentiate between "relational" and "transactional" practices, the former term describing efforts to build connections with local communities and the latter describing efforts to create new consumer markets for cultural products. In both cases, arts leaders report that, although positive results are difficult to measure conclusively, long-term efforts bring better outcomes than short-term activities. The organizations discussed include large, medium, and small nonprofits located in urban, suburban, and rural areas—from large institutions such as the Smithsonian, the Walker Art Center, the Museum of Fine Arts Houston, and the San Francisco Symphony to many cultural organizations that are smaller, but often known nationally for their innovative work, such as AS220, The Loft Literary Center, Armory Center for the Arts, Appalshop, and the Western Folklife Center.

Arts. --- Arts and society. --- Arts and society --- Community arts projects --- Nonprofit organizations --- Social participation --- Marginality, Social --- Art, Architecture & Applied Arts --- Fine Arts - General --- Management --- Management.

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Pissarro, Camille, --- Art Institute of Chicago --- Chicago. Art Institute --- Art Institute Chicago --- Musée de Chicago --- Shikago Bijutsukan --- Chicago Academy of Fine Arts (1879-1882)

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This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both challenged and adapted, just as barriers between theatre-makers and the 'experiencers' of events are broken down. Today many of us are everyday players performing the interconnectedness of digital culture and a key aim of the book is to unpack the multiple interrelations within the landscape of contemporary performance.

Theatrical science --- Mass communications --- Digital media. --- Intermediality. --- Performance art. --- Intermediality --- Digital media --- Performance art --- Art, Architecture & Applied Arts --- Fine Arts - General --- Arts. --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Electronic media --- New media (Digital media) --- Humanities --- Arts, Modern --- Happenings (Art) --- Performing arts --- Mass media --- Digital communications --- Online journalism --- Semiotics --- Influence (Literary, artistic, etc.) --- Digitale technieken. --- Intermedialiteit. --- Massamedia. --- Toneel. --- Uitvoerende kunsten. --- Arts, Primitive

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Traces the relationships between the early Westerns, other cinematic genres of the period, and other popular media

Motion pictures. --- Western films. --- Western films --- Film --- Music, Dance, Drama & Film --- History and criticism --- Motion pictures --- History. --- History and criticism. --- Silent films --- United States --- Arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- motion pictures --- film